|
BANDS:
Punk
& Ska
80's
New Wave/
Post-Punk/
College Bands
90's
& Beyond
Virginia,
North
Carolina, & DC
INTERESTS:
Venues
Publications
Record
Stores
Radio
Record
Labels
Album Reviews
Live Gig Reviews
Past
Features
Links
ETC...
About LOTD
Contact/Staff Submit Music Advertise
Home

|
|
JONATHAN NOVAK'S BEST OF 2004
| Best New Releases: |
| 1 |
 |
The Arcade Fire - Funeral [Merge]
I
will not bore with all of the insignificant details. The first time I heard
this album, I choked up as the very first track led to the very first build,
the combining of energy and volume and instrumentation and vocals. This album
has everything: each track expresses a different emotional mood (about death),
a sense of detachment and trapped amidst the continuing fields of endless
dancing and youth. It will make you smile, laugh, cry, question, and
ultimately think. This album, from the moment I heard it, reminded me of
everything good about music. In a year full or personal and worldly sadness, a
year fraught with wonder and peril, excitement and annoyance, and more death
than I'd care to think about, this was the right album for the right time.
Arcade Fire knows something about beauty, and in their exploration of Death,
have reminded me and hopefully every listener of something; something
particularly important about Life. Pick this album up and figure it out for
yourself.
Buy This Album |
| 2 |
 |
Namelessnumberheadman
- Your Voice Repeating [Record Machine]
Sadly, my number 2 album this year holds a strange honor in common with last
year's number 2: my main musical partner-in-crime/influence/all around buddy
HATES this album. He describes his listening to it with violent and
reactionary words. Neauseous, he'd say. Well do NOT listen to him if you see
him. Just like I'll stand by the Wrens, so will I stand by
Namelessnumberheadman. This album spent the majority of the time I owned it
in the number one position. It met the high standards of a best album of the
year: originality, thought-provoking lyrics, strange melodies, vocal
harmonies, sing-alongs, builds and crescendos... this album is an amazing
example of the real effort and craftsmanship that goes into making an
original album. Unclassifiably mixing indie rock and glitchy repeating
samples, the occasional keyboard, the occasional completely instrumental
track, and overall dark lyrics, Namelessnumberheadman creates an effort
worthy of all applause. This album, if nothing else, moves the spirit. Its
like nothing else I've ever heard before. Sadly, its major downfall is its
unified theme: melancholy. Even at its most exciting, the album aims for
(and completely succeeds in hitting) the mark of deliberate apathy and
boredom. So I will say this: the mind of Namelessnumberheadman is surely an
amazing place to visit, but it must be a beautifully overwrought place to
live.
Buy This Album |
| 3 |
 |
Air - Talkie Walkie [Astralwerks]
I don't really feel like I have to say anything about this album. If you
don't own this album, you are an idiot. There's nothing to dislike on it at
all. Almost every single song on it is a hit (and almost every single song
on it is featured in a movie or commercial). Its is exactly the sort of
album Air SHOULD make, and exactly the sort of album everyone should own.
Why this album isn't the new Moby-Play (the album that not only all of my
trendy HS friends owned, but also all of their parents) is beyond me. Go buy
this album and listen to it, you frickin idiot. GO! RUN!
Buy This Album |
| 4 |
 |
TV on the Radio - Desperate Youth, Blood Thirsty Babes [Touch & Go]
I don't know what to say about this album, except that we've had an
emotionally turbulent year together. Last Year's Young Liars EP would
have ranked on the top of my list had it been a full-length, and rumors of
the impending full-length release left me anxious and feeling tingly where
the pee pee comes out. So here we are, 2004, and my buddy gets this album
right away. Before I can even hear it, I ask him "so .... how is it?" His
response? "Meh." Meh indeed. How can a band working from the core of
brilliance, a band who got it SO RIGHT on their EP, somehow screw it up
entirely? Well, for starters, they took a mostly electronic sound and made
it into (people will argue this I'm sure) a more rock sounding album.
Where's the glitchy dirtiness and distortion? Where's the low-rumble bass?
Its there, but its a lot more subtle and a lot more covert. Not to say
they wanted to make a real sly album or anything. This album is kind of in
your face with the rock aspects. Especially when you see them live ....
straight-up rock act. So I listened to this album, loved quite a few tracks,
and did not like a couple. Thing is, the more I was disappointed, the more I
gave it another listen. And another. And another. Turns out TV on the Radio
did something between the EP and the LP that it takes some bands quite a few
LPs to accomplish: they evolved. This is simply the next step in their
evolution. And all the goodness is still there, just sometimes amidst poorly
chosen lyrics and repetitive a cappella. Hey, even with a few flaws this is
a better entry than almost anything else from the past year. Almost.
Buy This Album |
| 5 |
 |
Secret Machines - Now Here Is Nowhere [Reprise]
I first saw the Secret Machines as an opening act at the Black Cat (for
Broken Social Scene .... best live show of the year), and was entirely
enthused. I then promptly forgot about them until a few months later when I
actually bought the album. This is, without a doubt, the BEST ROCK ALBUM OF
2004. Epic krautrock drumming, giant builds and crescendos, the use of "kickin
it up an octave" vocals, occasional screaming, cooldown tracks, and ballads.
This album has everything a true rock album should have, carrying the
listener on a journey from start to theme, down from the higpoint, up again
to the emotional climax, and back to the theme in a reprisal (yes, the CD
even has a reprisal!). If Epic Rock is gonna make a comeback, the Secret
Machines will be carrying the banner. This album is for listening to LOUD
while driving FAST. (Note: Writer does not condone loud music or fast
driving, but please stay out of his way on Route 66.)
Buy This Album |
| 6 |
 |
Junior Boys -
Last Exit [Domino]
I am still learning valuable lessons about Electronica, like how its not all
happy, dancey bullshit; or how there are a thousand different terms to
describe a thousand different genres, and when you don't know the proper
one, its always proper to make up your own, like Darktonica or Lastexitca or
Junior Jangle Beat Jungle Dancetroop Silent Step Flickeronica. Point is, I
don't know the fucking "proper" term for Junior Boys, nor will I make
another one up. Take the lyrical stylings of any whiney brit pop artist, add
in some minimalist electronica with a non-danceable backbeat and some
thought-provoking, boys-don't-cry-type bullshit, and you've got a recipe for
success. Another dark entry into this years top 10, this album changed the
way I look at electronica entirely. I now expect more in expecting less.
Alas, due to their live show (which we heard from outside while waiting to
see Ratatat and Mouse on Mars - second best show of the year, incidentally)
sounding nearly identical to their CD, Junior Boys rank no higher.
Buy This Album |
| 7 |
 |
The Robot Ate Me - On Vacation [Swim
Slowly]
There was this staggerring moment this year when I was out driving in
Fairfax, listening to this album, singing along to the opening track, when
all of the sudden it made TOTAL sense. I completely got what they were
talking about, and it was beautiful. Previously, I'd chalked this album up
as somewhat catchy, yet slow and archaic, full of folksy melodies backed by
acordians and concertinas, or the occasional crazy ass shit. Everything
comes across quite nice, quaint, summery and peaceful. Seems like a nice
album to relax to. Then on this day, driving in Fairfax, all of the sudden:
I understood what the robot was, what they meant by it eating them, and how
being a blind and ignorant sheep in a world designed to feed off of and
destroy you, there's still beauty in existence and enjoyment of life,
regardless of the "purpose" or intent. Yeah, that kind of moment. What an
amazing album.
Buy This Album |
| 8 |
 |
One AM Radio -
A Name Writ in Water [Level-Plane]
Perhaps oddly enough, I was reading the Hyperion books when I got this album
and understood the reference of the title (Keats). This album combines the
strange darkness of Indie Folk (think an even darker Sufjan) with
electronica to produce.... well, this album. It is a singular work of
saddness and sudden jolting movement in dark prolonged chords. And some
wailing and bemoaning. I think they pull off the juxtaposition nicely, and
there's a real sense of winter in this album. Its catchy, but mood-specific.
Buy This Album |
| 9 |

 |
Ratatat
- Ratatat [XL]
The Advantage - The Advantage [5 Rue Christine]
A tie for 9th, these two albums accomplish roughly the exact same thing but
from completely different perspecives. While Ratatat writes entirely new and
original material, their duel-guitars and backup laptop seem to lack a few
chords, making the album have an almost incomplete or hollow feel at times.
That being said, guitar harmonies like these, upbeat jangling rhythms and
reminders of Halloween make this one of the most fun albums of the year.
Going for a nearly identical, yet somehow fuller sound, The Advantage take
classic riffs from 8-bit Nintendo days, and take you for a walk down memory
lane. I have no idea why, but this album just doesn't get old. Still, it is
nearly a gimmick album (albeit a REALLY impressive one). Neither of these
albums fully accomplishes what they set out to do. Perhaps united they can.
Buy Ratatat
Buy The Advantage |
| 10 |
 |
Beta Band - Heroes to Zeros [Astralwerks]
I don't know Beta Band as well as others. Maybe this was their best album
and I am a fool or completely missing something. To me, it sounded a lot
like other Beta Band stuff I'd heard. And you know what? Thats GOOD STUFF.
To write an album like this .... well, its something that most bands will
never ever do. That being said, however, it didn't push forward any borders
or break any new ground. Not to say its mediocre at all (top 10 here, kids)
but not the most impressive entry of the year either.
Buy This Album |
Return to LOTD's Best of 2004
About
LOTD Contact/Staff Advertise
Home
All content © LEFT
OFF THE DIAL 2001-2005. All rights reserved.
|