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Al Foul:
The One, The Only
With a classic rockabilly style, and a course, gin-soaked voice, Arizonas Al Foul has just released a solo album. After one listen, you will be left swimming in images of crinoline and sideburns with a grin from start to finish. The One, The Only is an album with an unmistakable 50s flair, reminiscent of Elvis glory days; but Al Foul has added his own style to bring in a distinctly modern feel over its 50s counterparts. The release is impressive in both its recording style and overall package. Each element has been carefully put together to deliver an album with a sound and a look that will surely please all you old-time rock and roll fans. Fuzzy, sepia photos adorn the inserts, and the recording itself has that telltale hollow sound of a vintage 50s rock recording. Thick with a rockabilly blues flavor, Al Fouls album could fit in with the best of the 50s rock heyday; but thats not to say that this album wont appeal to those with more modern tastes. Al Foul has added his own flare with gritty (and cautiously scandalous) lyrics, creating a level of clever amusement throughout the album. The One, The Only takes you on a wild trip from start to finish. A little fiddle in Wanted Man gives the impression of hiding from the law in Mexico, while heavy, crooning vocals and acoustic melodies in Singing the Blues leave you longing and heartsick. But none of these hold a candle to my favorite track, Dropping Quarters for Jane. This swinging, toe-tapping, love(?) song for a peep show dancer can only make you smile. Every style and trick works well for the album and shows a wide breadth of talent. With one listen, you will feel that Al Foul is singing in your living room. It will be nothing short of a glorious experience for those who appreciate the modern rockabilly niche.
Check Amazon, Insound and CD Universe to purchase this album.
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