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Velcro Mary

 

 

Driver X: Super 12

Driver X play the kind of music that could be easily criticized for being too commercial in an atmosphere like the present, where every rock song you hear on commercial radio sounds like the one before it and the one after it.  Despite comparisons to the Replacements and David Bowie, Driver Xs songs would have best fit in the commercial rock radio format of the mid 90s, just as the lines separating alternative rock and pop began to blur.  With production that is just a little too clean for its own good and a sound that is a little thick and overdone, Super 12 is a debut album that shows Driver X trying a little too hard to make a first impression.  But thats not to say that this album does not have some nice moments that could be pretty engaging in a less-overdone or a live setting.

The bands press kit states that fans of everything from the Beatles to Pavement to Radiohead will eat these guys up like chocolate cake.  I cant really agree with this I dont think diehard fans of any of those greats (all of whom bring to mind the words experimentation and innovation) will be Driver Xs biggest fans.  Instead, Super 12 is filled with feel-good, almost anthemic tunes that are quite accessible to the indiscriminate listener.  And despite coming from Brooklyn, the bands sound is somehow rootsier than any of the aforementioned bands, as shown in tracks like Wanderlust and I Want You. 

On Carry Me Home the band shows how their song-writing talents, harmonizing vocals, and overall delivery all suffice to make a very nice song but the tune ends up missing the personal touch that could have made it great if it were stripped down to a couple of acoustic guitars in a live setting, and if it were minus the unnecessary instrumentation and over-production.  On Lazy Eye, I found myself wishing the band had decided to push the vocals farther back into the mix.  Maybe Ive been listening to too much indie rock, but this songs mysterious sound would have benefited from burying the vocals just a bit like they were slightly more successful in doing with Afraid to Fly.

Overall, Super 12 is not a bad debut.  It showcases the song-writing potential of Driver X, but the album does not live up to some of the hype that seems to have surrounded it.  There may not be any Radiohead-like experimentation or Pavement-like innovation here, but there are some nice songs that could sound even nicer in a live setting.

-Catherine Nicholas

You can purchase this album from Insound, Amazon, and CD Universe

LEFT OFF THE DIAL's Driver X page

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