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Velcro Mary

 

 

 Metropolitan: Down For You Is Up 

Metropolitan's sound, like their hometown of Washington DC, is all business.  The trio produces tight, catchy songs and seems to know just exactly where they're going.  I'm not sure that can be said for their neighbors, our politicians.  Despite their obvious indie rock influences, the band still has the wherewithal to experiment, telling a sonic story through the tracks "They Meet," "The Chase," "The Explosion," "The Escape," and "The Dust," filling out their new LP, Down For You Is Up, with short transitional tracks of churning drums and wandering guitar and bass.  This disc is filled with great beats and hooks, and its utterly danceable or head-bobbable, whichever greases your wheels. 

John Masters' vocals and guitar seem to carry the songs but would be lost without Shyam Telikicherla's throbbing bass and Saadat Awan's guiding drumbeats.  "Long Distance Dedication" is a widely acknowledged favorite, as well it should be.  All of Metropolitan's songs are deliberately planned and delivered with grace and authority.  "Long Distance Dedication," with its simplicity and infectious pop hooks, climbs to the top of the list.  "The Girl From Montpellier" stands out because of the band's use of harmonium and tabla in addition to the maybe-not-so-surprising change-up of drummer and singer/guitarist.  Metropolitan's recent show at the the Galaxy Hut in Clarendon clarified this difference in vocals (Hey!  The guitarist can play the drums too!  And the drummer can play the guitar!  Cool!").  On "This Real," the keyboards add something D-Plan-like to the sound, and I wish they had used them more on the rest of the album.  Their live show was a little understated, but then again, the Galaxy Hut is the kind of place where you can sneeze from one end of the room to the other, so you can't really fault their rigidity.  Down For You Is Up is a solid album, from a solid and experienced trio. 

This is good, honest music.  You should listen to it. 

-Andrea Caumont

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