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Starfirefive:
All Lyrics are Lies Starfirefive's second effort, Eightysix, provides a rebuttal for the existence of the Sophomore Slump. This is another one of those one-man shows where you wouldn't believe it unless the artist told you himself. In this case, the one-man show is Georgia's James Willard, and this album's melancholic vibe is only a representation of the pain that only this man can feel. The amount of contrast between the bleak yet bouncing melodies on this album and his previous release, Degree of Focus, is inexplicable. Still, an effort must be made in order to understand how this album has more direction and stability than its predecessor. It seems that Willard was not initially as comfortable in his recorded delivery, and this is one of the elements that has ameliorated with this new release. In addition, a more eclectic mix of ambient electronica, as found in "Nothing Like Progress" proves that there really is nothing like it. He does however incorporate an overall "Moby-vibe" on this album, but it can also be seen as a step in the right direction. The only downfall to unbearable pain is that there can be a problem in containing it and channeling it into your music while it's still relevant. Willard does a great job with his inner struggle and with more time and progression, it might reach the level that Morrissey and Robert Smith achieved. These seem like high praises, but we are speaking of an artist who has definitely come into himself with this release. One can also note somewhat of a Dust Brothers influence in "There is No Revolution" and the album closer "Critical Stop," but you can also sense an influence of bands like Human League and Erasure in tracks like "Powdergory" and "Anodyne," which channel the emotionally wrecked side of synth-pop from the 1980's. But unlike new novelty acts such as the Sounds, Barcelona and the Epoxies, The Starfirefive has a lot more to offer for future releases than the current kitschy soundscapes that are the musical equivalents of the new-wave mohawk. Eightysix takes a respectful view on the 1980's but turns it into something uplifting and utterly depressing simultaneously.
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