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Universal
Hall Pass: Mercury
Though few high school attendees have ever been lucky enough to obtain one, one might think a universal hall pass would allow its possessor to wander at random, entering even the most elusive corridors. Mercury the debut album of one-woman-band Universal Hall Pass, allows singer/songwriter Melissa R. Kaplan to do just that. Starting out in the classroom of artists like Bjork and Tori Amos, Kaplan goes on to roam a variety of musical paths, traipsing through pop, rock, electronica and Middle Eastern influences along her way. Kaplan started her journey as part of Splashdown, a Boston-based electronic-pop assemblage that earned itself a dedicated following, as well as soundtrack action in motion pictures and WB television shows. Universal Hall Pass and Mercury are her latest efforts. Starting off with a pop, opening number Tutelary Genius is a stepped-up, more visionary version of the bouncy teenybopper numbers gracing todays Top Ten stations. But Kaplan quickly veers toward more serious, often piano-driven trip-hop by the second track, Dragonfly, a progression that continues through the albums finish, especially in Solar/Lunar and the brooding Misdirected. As promised, there are sidesteps along the way. The largely a cappella Katrinah Josephina, true to its name, sounds lyrically, melodically and accentually like a traditional German polka. Traveling further east, Six-Step Dragon is a translation of a Chinese song. While modernizing the music electronically, Kaplans interpretation stays true to its origins. Only in Avril Lavigne rip-off Special Agent does Mercury orbit back to the mainstream. Otherwise, Kaplan prefers to remain in the rarely visited back passages to which her Universal Hall Pass gives her access.
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